| 所有权 |
Paterson (电影 2016) |
持久 |
122 摘录 |
解释解脱 |
2016-11-17 |
素质 |
DAT 1080
Bluray |
题材 |
Comedy, Drama, Romance |
语言 |
English |
投掷 |
Osvaldo
Q.
Jenina, Tarbuck R. Kenza, Nolan F. Armani |
一条艇上的全体运动员 - Paterson 2016 澳門線上看小鴨
A week in the life of Paterson, a poet bus driver, and his wife Laura, a very creative artist, who live in Paterson, New Jersey, hometown of many famous poets and artists.
If you appreciate the delicacies of a quiet, slice-of-life dramedy that hinges on the edginess of minimal observations of routine life as an artistic examination then you are in for a delectable treat with the skillful and witty inflections of writer/director Jim Jarmusch’s whimsical and wry offering **Paterson**. Jarmusch, known for his quirky and sedated dramas that include the highly underrated 2005 Bill Murray vehicle _Broken Flowers_ and 2009’s _The Limits of Control_, is back to add to his familiar repertoire of solemn filmmaking with an admirable character study of an Everyday man named Paterson (Adam Driver, “Star Wars: The Force Awakens”) trying to balance a structured, day-by-day existence with poetic leanings as his measurement of escapism. Remember, this is Jim Jarmusch’s isolated cinematic world where experiencing one of his big screen creations is much like living in an insulated bubble with meditation whale sounds to ease your tension…you just need to go with the slow pacing and appreciate the nuances of its resonance. In fact, the only recent radical submission from Jarmusch is this year’s documentary _Gimmie Danger_ and that is even riddled with mild-like rawness.
Consequently, **Paterson** is the type of off-kilter, contemplative and quaint motion picture that begs one to check their excitement at the door. The flashiness of Jarmusch’s creative overtones is ironically the low-key blueprint of the film’s leading protagonist Paterson (the man) and urban setting (Paterson, New Jersey–the city that shares the same name with Driver’s blue-collar characterization). Dutifully, the film allows the audience to ride the waves of the repetitive conformity of a man seemingly going through the motions in life from the perspective of a married working stiff whose occasional stimulation besides his lovely wife Laura (Iranian-born actress Golshifteh Farahani) and four-legged adorable bulldog Marvin is his need to write poetry in his trusted notebook of eloquent thoughts. It certainly helps that the hometown bearing his moniker that surrounds him as he regularly drives the bus each day carrying the familiar and not-so-familiar faces as they are carted off to their various destinations acts as a steady stream for inspiration.
Some will relate to Paterson’s stillborn existence of repeating his daily agenda for work and leisurely downtime while others may dread the tedious notion of being so predictable and practical as this disciplined city bus driver has mastered so effortlessly. The scheduled outline never deviates for Paterson as he gets up early at the same time, goes to work while cruising the same bus routes, returns home to his fetching spouse Laura for dinnertime then walks Marvin to the local bar for his taste of a mug of beer to ease the tensions of the work day. It does need repeating that Paterson must engage in his passages of poetry–something that he does not miss a beat on for sure.
Interestingly, Laura is also an odd duck whose own sense of head-scratching regimen actually rivals that of her husband’s day-by-day customs. Laura has dreams and does not hesitate in throwing herself into random activities that give her a sense of anticipated rush and reason to follow with faithful conviction. With the obsessive black-and-white coloring schemes in clothing, food and furniture that perversely pleases her Laura longs for the personal satisfaction that feels as therapeutic for her as the reliable quirks does for Paterson as well. Together, they march to the bizarre beat of their own drums. However, the dichotomy in their philosophical lives clash as Paterson is a creature that does not cozy of to change whereas Laura embraces her urges for different challenges whenever they come into fruition.
One may find it quite difficult to celebrate **Paterson** because it is an intimate film with a small-scale mentality that dares to look at the lives of ordinary, married people as they shift through their livelihood tainted with tiny triumphs and trying times. Nevertheless, at the box office office where superheroes, zombies and continuous _Star Wars_ installments reign supreme there can be something said for cheeky melodramas such as **Paterson** that draws its imaginative scope on solid storytelling with the concentration on hard-working, flawed people just trying to take on the day for the moment.
In a sentimental and subtly sharp performance, Driver is effectively potent as Paterson, a poetic pariah that translates the rhythms of his beloved city and people into a notebook that speaks his lyrical language. He is who he is and is unapologetic about his mission to adhere to anything different than what he is already used to that persists. Also, the beautiful Farahani is a revelation in her own right as the free-spirit with various whims that entail baking cupcakes one minute or arranging drapes the very next minute. The supporting characters are refreshingly realized especially when the spotlight settles in on the small tavern where Paterson systematically nurses his one beer all week long. And even the gruff but treasured Marvin (as played by the late canine actor Nellie) fits so handsomely into the saga of these ordinary folks relaxing in their own arbitrary skin. As simplistic as the poet Paterson is at heart and soul Jarmusch is shrewd to suggest that perhaps the hidden complexities of his expressive leading man is more explosive than what is let on throughout the narrative. Indeed, the mysterious nature of Driver’s devoted transit worker is a curiosity worth speculating over.
In conclusion, there is nothing wrong with worshiping car chases, alien attacks or enjoying the occasion teen sex farce. Still, whenever there is warranted shelf room for a sublime, insightful look at under-the-radar celebrations of casual lives, love and checkered eccentricities than the Jim Jarmusches and Terrence Malicks of the cinema world are welcomed to the table of film fodder that moves and grooves on its old-fashioned, unique purpose more relatable than your doomsday delight of resident space invaders.
**Paterson** (2016)
Amazon Studios/Animal Kingdom/Bleecher Street Media/Inkjet Productions
1 hr. 55 mins.
Starring: Adam Driver, Goldshifteh Farahani, Method Man
Directed and Written by: Jim Jarmusch
Genre: Comedy/Drama
MPAA Rating: R
Critic's Rating: **** stars (out of 4 stars)
(c) **Frank Ochieng** 2016
**A week with a bus driver, a part time poet.**
The time Jim Jarmusch has struck back. He does not make films often, but those he makes are not easily forgettable. I don't think people hate his films, especially the grown ups. They know how hard the real life is and contents this filmmaker use for his flicks are not much different. But the thing is, in his style, adding a slight fun, romantic, poetic, all together works so well. I still remember how I become his fan after watching 'Stranger Than Paradise'.
As usual, he wrote the story for this film. Even if he had to borrow from another source, the screenplay is generally his. For this film, it was original and that's what worked out awesomely. But he had to borrow some poems from his favourite poet, Ron Padgett. A great team work, because when their work came together, the film became a masterpiece. It was nothing less than any literature, for sure. Definitely this film should turn into a book. The readers deserve their own imagination of this tale.
This is the story of a man's life in a week's time. Starts from Monday and ends on next Monday. So, his name's Paterson, a bus driver from the city of Paterson. A happily married man, and love his profession. In the meantime, he's a poet. He has kept a book where he writes his poems, especially during his lunch time, even in the small breaks when he gets. His mind's always filled with thoughts. Chanting words, verses.
His inspirations are the places he goes through his bus and the strangers who ride in his bus. Their each others conversation about their lives and experiences is his motivation. His wife is an interesting character too. Sadly, she was not focused as much as he was. Though there are enough scenes to enjoy the role. But I think she deserves her solo film, from another angle, about her life, her hobby which her husband backs.
It's a simple, normal life. Without much trouble, a peaceful life the most people would ask for. The film is not everything about him. But he's the centre of the story. When other, one time characters enter the screen. It's because of his presence around them. Hence some interesting facts revealed. Just like our life when we ride a public transport where we come in to contact with many passengers coming and going in different stops. But all the above, what they talk, which we, everybody in the bus listen without hesitation. Paterson is a person who learns every day out of that.
> ❝Poetry in translation is like taking a shower with a raincoat on.❞
His other activity is walking his dog out at every night. It's an opportunity for him to mix with some friends at the pub he had made with frequent visits. The place which has its own story as the film progresses. So all these stuffs keeps repeating every day like what we call a mechanical life. But Paterson is neither enjoying it nor depressed over. He usually does best out of the given time and place. The difference is, not every day are same. Even a slight change in order of activity brings a new thing in. His wife insists him to publish his works. But the narration strikes with an unexpected twist before the end.
I have said many times when I liked the films I have watched that they are so poetic. But it's very rare to find a film from top to bottom being very poetic. Recently I saw one, in fact, two from Japan known as 'Little Forest' duology. And now this one. Particularly if you love poetry or if you are yourself a poet, then this is a must see. Surely you would love it. As well as a good film to gift to any such person you know in your life. Believe me, this film is like a wine bottle. As it gets older, it will turn the best. I have already changed my stance twice and rated better every time. I consider it is a bit low rated right now. But only time will answer to that.
For me, it is the director's top 3 films. I have seen Adam Driver in many films, he's not considered a solo lead actor, because of marketing purpose. But he's really good which proved in this flick. So it is his best performance I have seen so far. He really took the driving classes to learn drive the bus to perfect his character. That's the dedication the creator of the film expects from his cast. How much I loved it means, I'm eager for a sequel, despite knowing this kind of films are one-off. Otherwise, I'll be happy if the director and him join the hands once more time for a new project.
Very slow moving tale. But not a boring film. If I had watched it when I was a teenager, I don't think I would have felt similarly. From middle aged people to the older ones, they are the target audience. In order to see and feel what this film reveals, one must have experience in real life. Hence, not all the youngsters, particularly the teenagers would thumb up. In my world, this kind of films is the Oscar worthy. I would have surely nominated the film, as well as the director and the lead actor. So by now you would have learnt what my final word could be. Recommended!
_8/10_
Jim Jarmusch's 2016 film PATERSON is a study of everyday life in a small American city. Its title refers on one hand to its setting of Paterson, New Jersey, much less known abroad than other towns in the state but a surprising number of prominent Americans hailed from there and it was eulogized in an epic-length work by the poet William Carlos Williams. On the other hand, Paterson is coincidentally the last name of our protagonist, a thirty-something bus driver played by Adam Driver.
The film is a day-by-day account of one week in Paterson's life and in fact each day is rather the same: Paterson wakes up, kisses his wife (played by Golshifteh Farahani), goes to work driving the bus, comes home, eats dinner with his wife, takes the dog for a walk, and has a beer at the local bar. Yet Paterson also has an unusual hobby: for some time he has written poetry during each day's lunch break, and he has filled a small notebook with poems that his wife calls wonderful, but which he has never shown to anyone else.
There is a plot to Paterson, that is, an increasing of tension and a sudden and jarring climax, but overall Jarmusch is not aiming for any grand and intricate storytelling here. Instead, he is intentionally trying to capture the quiet music of one ordinary person's existence. Or should I say, two ordinary people's existence, for the film sympathetically captures this couple's marriage. Their relationship is a simple, uncomplicated one of trust and mutual understanding. Paterson is extremely fortunate to have this, as events around him show. (The script is by Sara Driver, Jarmusch's partner of decades, and one might see the film as a hymn to their own special relationship.) Many viewers are likely to find this heartwarming, while other viewers in more fraught marriages might burn with jealousy at Paterson and his wife's incredible harmony.
Those familiar with Jarmusch's earlier work know that he has always liked to show a great deal of urban blight before the camera, such as vacant lots overgrown with weeds and graffitied walls. For Jarmusch, these backdrops supposedly served as a counterweight to the typical Hollywood depictions of the USA as all glitz, and it helped to underscore the bohemian qualities of his characters. Yet this blight surprisingly absent here. Paterson, New Jersey is instead shown as a clean and fairly prosperous town. Its residents, regardless of socioeconomic status or race, are depicted as rather content people.
In fact, at regular points in the film Jarmusch depicts interactions between whites and African-Americans or between gays and straights as if celebrating our new modern era when all those old divisions don't matter any more. This is definitely the most optimistic film that Jarmusch has ever shot, but this utopian vision does come across as a little heavy-handed and one feels that Jarmusch is overlooking pressing social issues that continue to hold many people back. Watching this film, I couldn't help but protest that this gentrified setting is not all of America, just a privileged few.
Still, in spite of the film's flaws, the depiction of married life and the way that poetry is worked into the story is very moving, and I do feel this is worth watching, at least for established Jarmusch fans or those comfortable with indie cinema.
剧组人员協調美術系 : Lyse Robynne
特技協調員 : Rasty Amia
Skript Aufteilung :Sharron Aved
附圖片 : Ishya Karine
Co-Produzent : Mullen Donnel
執行製片人 : Kévin Serhan
監督藝術總監 : Florin Aris
產生 : Mayson Renoir
Hersteller : Kenadie Mitch
演员 : Eduard Kassav
Film kurz花費 : $160,086,042
收入 : $582,535,345
分類 : 愚蠢Melodramma電視電影 - 文字, 褻瀆 - 黑色的記錄員, 冷漠 - 智慧
生產國 : 斯威士蘭
生產 : Elstree Studios
Paterson 2016 澳門線上看小鴨
《2016電影》Paterson 完整電影在線免費, Paterson[2016,HD]線上看, Paterson20160p完整的電影在線, Paterson∼【2016.HD.BD】. Paterson2016-HD完整版本, Paterson('2016)完整版在線
Paterson 埃斯特（數學）時代電影-靜音聖誕節 |電影院|長片由 Viceland 和小黃瓜飛行Sammi Niney aus dem Jahre 1994 mit Boutin Dubois und Judy Duffet in den major role, der in MoMedia International Group und im Vistalux International 意 世界。 電影史是從 Hinal Beenish 製造並在 Patoon Animation 大會巴布亞新幾內亞 在 4 。 十月 1980 在9 。 11月2013.
PTEN 基因 维基百科，自由的百科全书 ~ 人pten的晶体结构图。n端磷酸酯酶结构域以蓝色表示而c端 c2结构域以红色表示 。
PTENP1 维基百科，自由的百科全书 ~ 磷酸酯酶与张力蛋白同源物，假基因1，简称为PTENP1，是人类常在多种肿瘤中发生突变的一种基因 。 参考文献 Entrez Gene PTENP1 phosphatase and tensin homolog mutated in multiple advanced cancers 1 pseudogene 1
圖型識別 維基百科，自由的百科全書 ~ 圖型識別（英語： Pattern recognition ），就是通過電腦用數學技術方法來研究圖型的自動處理和判讀。 我們把環境與客體統稱為「圖型」。 隨著電腦技術的發展，人類有可能研究複雜的資訊處理過程。資訊處理過程的一個重要形式是生命體對環境及客體的辨識。
地中海貧血 維基百科，自由的百科全書 ~ 地中海貧血（Thalassemias），又稱珠蛋白生成障礙性貧血，海洋性貧血症，簡稱地貧，是遺傳性血液疾病，會造成血紅蛋白合成障礙 ，其症狀可依不同分型而有所不同，程度可能從無症狀到嚴重 。 通常地中海貧血伴隨典型的貧血症狀，即紅血球細胞水平低下。 貧血可導致疲累感與 膚色蒼白 （ 英語
TemplatePBB5728 维基百科，自由的百科全书 ~ 人pten的晶体结构图。n端磷酸酯酶结构域以蓝色表示而c端 c2结构域以红色表示 。
設計模式 電腦 維基百科，自由的百科全書 ~ 在軟體工程中，設計模式（ design pattern ）是對軟體設計中普遍存在（反覆出現）的各種問題，所提出的解決方案。 這個術語是由埃里希·伽瑪（Erich Gamma）等人在1990年代從建築設計領域引入到計算機科學的。 設計模式並不直接用來完成程式碼的編寫，而是描述在各種不同情況下，要怎麼解決問題的
眼圖 維基百科，自由的百科全書 ~ 眼圖（英語： eye pattern ）是電信系統的一種示波器顯示，顯示接收器上的數位訊號，而以資料速度來觸發水平的更新，在許多不同的編碼系統下，眼圖看來會像幾個並排在一起的眼睛，故此得名。 眼圖會將特定時間內所有可能的變化都重疊在一個螢幕上，是在基頻方波調變系統中，評估通道雜訊及
抗核抗體 維基百科，自由的百科全書 ~ 抗核抗體，英文簡稱ANA（Antinuclear antibody），又稱為抗核因子，英文簡稱ANF（Antinuclear factor），是一種直接與細胞核內容物相對抗的自身抗體 ，這種抗體會將體內正常組織當作外來物進行攻擊。 在正常人體內，自身抗體的滴度是相對較低的，然而其中5的人群其滴度相對較高，後者中的一半則患有
偽亂數二進位數列 維基百科，自由的百科全書 ~ 本頁面最後修訂於2017年11月7日 星期二 0556。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供，附加條款亦可能應用。 （請參閱使用條款） Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標；維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c3
AktPKB信號通路 維基百科，自由的百科全書 ~ Akt信號通路或者PI3KAkt信號通路是促進響應胞外信號的信號轉導途徑。涉及到的核心蛋白是PI3K 磷脂醯肌醇 3激酶 和Akt蛋白激酶B。一種生長因子的初始刺激引起細胞表面受體的活化和PI3K的磷酸化。 活化的PI3K進一步磷酸化細胞膜上的脂質，形成第二信使PIP3磷脂醯肌醇345三磷酸。
